Robinson Crusoe Auf Dem Mars Film
| Robinson Crusoe on Mars | |
|---|---|
 Theatrical release affiche | |
| Directed by | Byron Haskin |
| Screenplay by |
|
| Based on | Robinson Crusoe by Daniel Defoe |
| Produced past | Aubrey Schenck |
| Starring |
|
| Cinematography | Winton C. Hoch |
| Edited past | Terry O. Morse |
| Music past | Nathan Van Cleave |
| Production | Schenck-Zabel |
| Distributed past | Paramount Pictures |
| Release date |
|
| Running fourth dimension | 110 minutes |
| Language | English |
Robinson Crusoe on Mars is a 1964 American science fiction movie directed by Byron Haskin and produced by Aubrey Schenck that stars Paul Mantee, Victor Lundin, and Adam West. It is a science fiction retelling of the classic 1719 novel Robinson Crusoe by Daniel Defoe. The film was distributed past Paramount Pictures and filmed in Technicolor and Techniscope.
Plot [edit]
Commander Christopher "Kit" Draper, USN, and Colonel Dan McReady, USAF, reach the red planet in their spaceship, Mars Gravity Probe 1. They are forced to use upward their remaining fuel in order to avoid an imminent collision with a large orbiting meteoroid; they descend in their one-man lifeboat pods, becoming the first humans on Mars.
Draper eventually finds a cavern for shelter. He figures out how to obtain the residue of what he needs to survive: he burns some coal-similar rocks for warmth and discovers that heating them also releases oxygen. This allows him to refill his air tanks with a manus pump and to movement around in the thin Martian temper. On one of his excursions, he finds McReady's crashed pod and corpse.
He also finds their monkey Mona alive. Later, he notices that Mona keeps disappearing and is uninterested in their dwindling supply of food and water. He gives her a salty cracker, but no water. When Mona gets thirsty, he lets her out and follows her to a cave where he finds a pool of water in which edible institute "sausages" abound.
As the days abound into months, Draper slowly begins to crack from the prolonged isolation, at one bespeak imagining an alive, but unspeaking, McReady appearing. He also watches helplessly every bit his mothership, an inaccessible "supermarket", periodically orbits overhead; without fuel, the spaceship cannot follow his radioed order to land.
While walking about, Draper comes upon a nighttime rock slab standing nearly upright. Curious, he digs in the ground around it, exposing a skeletal hand and arm wearing a blackness bracelet. He uncovers the remainder of the humanoid skeleton and determines that the alien was murdered; the front of the skull shows a pigsty, and the dorsum shows heavy charring. To hide his presence on Mars, Draper signals his low-orbiting mothership to self-destruct.
Not long after, Draper sees a spaceship descend and land just over the horizon. Believing it might exist a rescue ship from Earth, he heads towards the landing site the post-obit morning, only to see alien spacecraft darting nearly in the sky. He approaches cautiously and sees human being-looking slaves being used for mining by every bit human-shaped captors wearing spacesuits and helmets and bearing weapons. One of the slaves escapes and runs into Draper; an alien spaceship blasts the surface area every bit the ii escape. Draper notices the stranger is wearing black bracelets just similar the one he institute in the grave. The aliens bombard the mine area that night and so depart. Later on, when he and the stranger investigate, they find the dead bodies of the other slaves.
Draper names his new acquaintance "Friday," after the graphic symbol in Robinson Crusoe, and begins teaching him English language. In render, Friday shares his "air pills", which provide oxygen; they gradually grow to trust and like each other.
Afterwards a while, the alien spacecraft return, tracking Friday by his bracelets. Draper tries to remove the bracelets with a wire saw. When the aliens blast the castaways' hiding place, Draper, Friday, and Mona abscond north through cloak-and-dagger Martian canals. They eventually surface virtually the polar icecap. Exhausted, freezing, and nearly out of the air pills, they build a snow shelter. Draper finally manages to cut off Friday's bracelets shortly earlier a meteoroid crashes into the ice cap; the resulting explosion and firestorm melts the ice and snow, saving them from freezing to decease.
Later, Draper detects an budgeted spaceship. He fears it is the aliens, merely and so his portable radio picks up an English-speaking phonation. A rescue capsule descends. Later, Mars recedes in the altitude as the film credits curlicue.
Bandage [edit]
- Paul Mantee equally Commander Christopher "Kit" Draper, USN
- Victor Lundin every bit Fri
- Adam West as Colonel Dan McReady, USAF
- Barney the Woolly Monkey as Mona.
Production [edit]
Exterior locations were shot mostly at Zabriskie Point in Expiry Valley National Park, California.[1]
Special effects by Lawrence Butler and Academy Laurels-winning matte creative person Albert Whitlock gave the film the benefit of "big-studio resources usually lacking in movies about outer space". Whitlock provided the matte paintings used in Robinson Crusoe on Mars. "Some scenes of spacecraft in motion were created with the kind of flat animation seen in official NASA promotional films".[2] For the alien spacecraft, designer Albert Nozaki constructed 3 miniatures closely resembling the "Martian war machines" he had made previously for Haskin for The War of the Worlds (1953).[three]
Byron Haskin told interviewer Joe Adamson:
Robinson Crusoe on Mars was so patently a director's tour de strength, that there was nobody to interfere and tell me how to shoot ... I tin can't recall of whatever other film I've fabricated, unless it was The War of the Worlds, where I had such complete autonomy ... that I had as much genuine pleasure and fulfillment from as Robinson Crusoe on Mars. Information technology was every bit fulfilling as cinematography had ever been. Everything I gear up out to do, I accomplished as well every bit i possibly could ... We fabricated exploratory trips into Death Valley, and I conceived a key to credible verisimilitude ... I would abandon shots from the valleys, make them from upwardly on the ridges. Death Valley had been seen in hundreds of westerns, but they were all shot from the bottoms of the canyons, because that's where horses could gallop through. On the tiptop of these weird looking ridges of marshmallow sands, the vista was something else. It looked like another planet — certainly not Decease Valley. Additionally, I conceived making the blue skies ruby ... Information technology was wintertime, and the skies were deep blue. They formed a perfect traveling matte[four] [5]
With past feel producing special furnishings, Haskin fifty-fifty hand animated photos of the slave ships that terrorize the protagonist which were patterned after Japanese visual effects designer Albert Nozaki'southward Martian ship's design in Haskin's earlier film, State of war of the Worlds.
Ib Melchior was the original screenwriter, simply had to drop out to work on other projects.[3] He later complained about the changes made to his screenplay.[2] Co-ordinate to producer Aubrey Schenck, the original script featured a diversity of monsters and alien beings, which were jettisoned in the proper noun of plausibility, the medium-sized upkeep, and because those ideas detracted from the premise of an astronaut beingness stranded and lonely on Mars; Melchior, however, denied this.[vi] Instead of Mona the Monkey, the original screenplay featured a Martian fauna that would have been a costumed armadillo, merely a monkey was deemed more conceivable and easier to railroad train.[7]
Paul Mantee was chosen out of approximately 70 actors (including Vic Lundin) based on his existence an experienced unknown,[eight] and by Haskin, because he resembled Alan Shepard, the start American in space. The flick was originally to be titled Gravity Probe One: Mars, but Paramount's sales managing director Charles Boasberg thought that title sounded likewise much like a documentary.[9]
According to Mantee, considering Barney the monkey was a male playing Mona, a female person, he had to wear a fur-covered diaper.[3]
At the time of production, it was even so plausible to depict Mars as having an atmosphere and water. Scientific discoveries shortly thereafter confirmed neither was the instance.[x]
Songs [edit]
Two songs were inspired past and named later on the motion-picture show. One was sung by Johnny Cymbal, the other past Victor Lundin. Lundin wrote the song "Robinson Crusoe on Mars" to perform during his scientific discipline fiction convention appearances. He recorded it for his 2000 album Little Owl.[11]
Reception [edit]
Despite positive critic reaction at the time, Robinson Crusoe on Mars did not do well at the box function. Moving-picture show reviewer Glenn Erickson opined, "Despite laudable efforts from all concerned, the moving picture didn't click with audiences. Indifferent distribution was blamed, only it's also likely that the public preferred to run into its astronauts on the 6 O'Clock News".[2]
- Film historian Leonard Maltin considered Robinson Crusoe on Mars, "a surprisingly agreeable reworking of the classic Defoe story ... beautifully shot in Decease Valley by Winston C. Hoch; the picture show'south intimate nature aid information technology play better on Television receiver than well-nigh widescreen space films".[12]
- In the Time Out review editor John Pym saw Robinson Crusoe on Mars equally "... intelligently imaginative sci-fi ... nigh remarkably (director) Haskin avoids sentimentality when dealing with the monkey, such is the assured sensitivity of the flick".[13]
- Kevin Thomas in the Los Angeles Times said, "Robinson Crusoe on Mars ... has superb special-effects and strong performances by its space age hero, his man Fri and an irresistible monkey name Mona. ... The picture show's overall blueprint and the careful limerick of each scene make it a piece of work of art".[14]
At the film review aggregator website Rotten Tomatoes, Robinson Crusoe on Mars has an overall rating of 94%, with an average single viewer rating of 6.5/ten, with 62% of that audition liking it.
Home media [edit]
The Criterion Drove, a video company known for its painstaking restorations of films, first released Robinson Crusoe on Mars on LaserDisc in 1994, on DVD on September 18, 2007 as a special edition, and later Blu-ray on Jan eleven, 2011. A loftier-definition video image transfer was performed and colour corrected using the pic's original 35 mm movie negative, while the original monaural soundtrack was digitally remastered in stereo at 24 bit.[ commendation needed ]
Criterion added a number of bonus features on the releases of the film: a "stills" gallery from both the film itself, as well as behind-the-scenes shots. At that place is likewise the original theatrical trailer and an audio interview with manager Byron Haskin recorded in 1979. A music video for Victor Lundin's song "Robinson Crusoe on Mars" was created in 2007 specifically for the film'southward DVD release. A total color booklet is as well included with various facts most the film.[xi]
See as well [edit]
- List of films attack Mars
- List of American films of 1964
- Survival film, about the moving-picture show genre, with a list of related films
- List of films featuring extraterrestrials
- Mars in fiction
References [edit]
- ^ "Original print data: Robinson Crusoe on Mars." Turner Classic Movies. Retrieved: January 9, 2015.
- ^ a b c Erickson, Glenn. "Robinson Crusoe on Mars." DVD Savant, January nine, 2011. Retrieved: January 9, 2015.
- ^ a b c Michael Lennick (Jan 11, 2011). "Robinson Crusoe on Mars: Life on Mars". Criterion Collection. Retrieved August 2, 2015.
- ^ p. 262-262 Haskin, Byron Byron Haskin: An Interview by Joe Adamson. The Directors Gild of America and Scarecrow Press, 1984
- ^ p. 92 Miller, Thomas Kent Mars in the Movies: A History. McFarland, 2016
- ^ p. 268 Weaver, Tom Ib Melchior Interview Render of the B Science Fiction and Horror Heroes: The Mutant Melding of Two Volumes of Classic Interviews McFarland, 2000
- ^ p. 294 Fischer, Dennis Byron Haskin Science Fiction Film Directors, 1895-1998 McFarland, 17 June 2011
- ^ p. 283 Weaver, Tom Aubrey Schenck Interview It Came from Horrorwood: Interviews with Moviemakers in the SF and Horror Tradition McFarland, 26 October 2004
- ^ pp. 294-295 Fischer, Dennis Byron Haskin Science Fiction Picture Directors, 1895-1998 McFarland, 17 June 2011
- ^ Robinson, Tasha. "Robinson Crusoe on Mars". AV Guild . Retrieved 29 Jan 2020.
- ^ a b "Music Video: 'Robinson Crusoe on Mars' (supplementary fabric made for DVD release)". Criterion Collection DVD, 2007.
- ^ Maltin 2009, p. 1166.
- ^ Pym 2004, p. 1004.
- ^ Kevin Thomas, Los Angeles Times[ full commendation needed ]
Bibliography [edit]
- Haskin, Byron. Byron Haskin: An Interview by Joe Adamson. Metuchen, New Jersey: The Directors Guild of America and Scarecrow Press, 1984. ISBN 0-8108-1740-3.
- Maltin, Leonard. Leonard Maltin's Motion picture Guide 2009. New York: New American Library, 2009 (originally published as Idiot box Movies, and so Leonard Maltin's Moving picture & Video Guide), Beginning edition 1969, published annually since 1988. ISBN 978-0-451-22468-ii.
- Miller, Thomas Kent. Mars in the Movies: A History. Jefferson, Northward Carolina: McFarland & Company, 2016. ISBN 978-0-7864-9914-4.
- Parish, James Robert and Michael R. Pitts. The Great Science Fiction Pictures. Jefferson, North Carolina: McFarland & Company, 1977. ISBN 0-8108-1029-viii.
- Pym, John, ed. "Robinson Crusoe on Mars." Time Out Film Guide. London: Time Out Guides Express, 2004. ISBN 978-0-14101-354-1.
- Strick, Philip. Science Fiction Movies. London: Octopus Books Limited. 1976. ISBN 0-7064-0470-X.
External links [edit]
Source: https://en.wikipedia.org/wiki/Robinson_Crusoe_on_Mars
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